Psychology for musicians

First of all! I welcome you to the blog!

After I have been tipsy about the first blank page of the blog, I propose to publish these first lines that I leave some of my being, explaining what made me choose this profession and specialization that fascinates me. Like some of his fellow profession, you specializes in a collective with which you somehow connect with, whether from your own experience and then you will cog up the words "misfortunes come up with gifts" that I so love or fascinates him because they have a special sensitivities to them.

Personally, I specialized in psychology for musicians by My experience That's why I'm accompanying interpreters who are having a an unhealthy relationship with their instrument, treating symptoms such as anxiety before and during a performance, sadness, frustration or feeling that they are not good enough as musicians as normal, because they have come to believe it has to be that way. It happened to me too. I did not realise how unhealthy it was to want to throw my violin out of the window after a lesson or to practise for 8 hours without goals, a plan or much to show for it. I had to work on how I related to my instrument. Gradually, I began to enjoy performing without beating myself up over a note played out of tune. Now, whenever I play in an orchestra, I have the focus on music and not at "if my atril partner has heard that I have put up a fake note." And that's also what the musicians I have with me are learning.